Neurons Like Brandy is a long running project of mine that I have been
trying to finish for about 8 years. It focuses on a house in Brighton
after the zombie apocalypse has passed, with flashbacks told by one of
the remaining survivors every other chapter.
The chapter numbering is a little confusing so if this is your first time here and you are interested in reading more then I would recommend starting at the index where each of the chapters are ordered in the manner that they are meant to be read.
Below is the recounting of one of the little known members of the household: Jay
The chapter numbering is a little confusing so if this is your first time here and you are interested in reading more then I would recommend starting at the index where each of the chapters are ordered in the manner that they are meant to be read.
Below is the recounting of one of the little known members of the household: Jay
Chapter 9: Jay
This is going to sound terribly cheesy, but with the way
things are I say ‘screw that’. Life is too short.
So here it goes: Love is way more complicated than art can
ever be prepared to articulate. Love is far more complicated than any of these
kids upstairs understand. At least, not with the way they are right now. They
are all still too busy making the mistakes you make when you are young; the same
mistakes that I made when I was young.
The sleeping around, the drinking, the drug taking; you
would think that the world hadn’t ended and instead that it was a particularly
long party weekend.
When Maria and I had got here it was a safe haven. It was
easy to ignore the mess because for the first time in months we hadn’t been on
the move, we weren’t looking over our shoulders, if it wasn’t the Camers then
it was just other living people around you who were being selfish, looking out
for themselves and trying to get one over on you.
It felt good to be hanging out with people who were younger
than us, at first, a bit like recapturing our own youth.
Then it got uneasy, it wasn’t that they were bad people –
sure they were self-absorbed but it was nothing like what Maria and I had seen
in Plymouth - it is just that we both realised that there was a reason we weren’t
kids any more. We were a couple in our mid-thirties. I’d had a job as a
barrister and Maria had been the head of her own company before all of this and
the idea of partying forever just made us feel so very old.
All the same I feel like we needed that moment to take a
step back and assess the situation. I am not saying that we loved each other
more than before but we just realised that what we had was what love should be.
You used to see all these dramatisations on TV of love and it
always just that: drama. There are back and forths, there are break ups and
reconciliations, there are tragedies and jubilations. Most of that is nonsense
or at least it is in the way that youngsters think that you can push and push
without ever giving back and that some script writer will just fix it for you
without any consequence.
Love means that you will say sorry, that you will
compromise, that you will let things slide; not because you have to (even
though it will certainly feel that way because you can’t imagine the miserable
life you had before) but because you want to.
Love is making an effort when you don’t feel like it and
pushing yourself beyond tired because you know that they would do the same.
Love is being able to look at things that you knew and see a
whole new perspective and to understand that what you thought you knew is only
a fragment. It is wanting to then share all those previous moments and all
those other things so that you can see them, together, in that new light.
Love is savouring every moment you can. That is something
that becomes clearer when something like this occurs.
Love is being willing to kill (which we both have) for the
right to still exist and to have those moments to savour. It is also the
willingness to die if it means that the person you shared them with will be
safe.
Love, for me, is being able to lie next to my pregnant wife
in the early morning hours; feel the taut skin of her belly under my fingers
and be blown away by the gently kicking coming from within. To know that we
made a life, something that we share, that we can show the same beauty in the
world that we see (no matter how limited it might be).
Love is getting out of bed, still groggy, with these
thoughts in your head, knowing that the person lying ever so still behind you
feels the same.
And it is good.
A little moment of beauty amidst all the despair. I like it.
ReplyDeleteI'm not sure I remember who Jay and Maria are, though. Are they the couple that arrived noisily, via car, and had to be rescued by Joshua and Dan and others? When Dan thought he may have been bitten?
It's been a while since you last posted a chapter, and I can't quite recall. Maybe it'd be worth adding a brief 'dramatis personae' to the index or some such, to help catch up with your sizeable cast in such circumstances?
RE: Dramatis personae: For sure, that actually makes a lot of sense given the way that the project has been delivered
DeleteJay and Maria are kind of non-characters(Jay cooks the meal at the feast and Maria has about one line in the entire novel). The 'couple' (they are brother and sister) you are thinking of are Andy and Laine.
Er, not Joshua. Philip.
ReplyDelete